These interesting, amusing parodies of Mona Lisa were created by the Grade 5 students after they looked at several examples.
We looked at a large print of the Mona Lisa and discussed what the students knew about the painting.
- The Mona Lisa is one of the most well known images in the whole world
- Leonardo da Vinci painted the Mona Lisa between 1503 and 1506 although some art scholars believe he worked on the painting as late as 1517
- The painting is believed to be of Lisa Gheradini who was the wife of rich merchant Francesco del Giocondo.
- King Francis I of France acquired the painting and it remains the property of the people of France and is on permanent display at the famous LOUVRE museum in Paris.
- The grade 5 students also watched several, funny Sesame St videos, which were parodies of popular songs.
Then we discussed what a parody was and watched a few music parodies so the students could get a handle on the concept. The obvious first place to look was Sesame St as almost every episode has some form of musical parody. The students had a good giggle at these.
Then we watched several videos by the uncrowned king of the musical parody, Weird Al Yankovic!!!
Once the students had an understanding of what a parody is they drew a 5-10 minute draft, in pencil, in their Art journal. The students then drew their parody on A4 cartridge paper and most used a photocopied face and hands of the Mona Lisa to complete their parody although this was their choice to use the photocopy or not.
The students then chose a complimentary background paper to form a frame around their work and decorated it to match the theme of their drawing.
Here she is a rock star on stage.
I was astounded with the range of situations that poor old Mona Lisa could be put into!
Here she is riding a dragon!
Some of the ways the frames were decorated to match the theme were very clever.
Here she is a wheelchair basketball player!
I hope you have enjoyed looking at these Mona Lisa parodies and the grade 5 students would certainly appreciate your comments.
If you would like to look at a whole range of different Mona Lisa parodies just go to my Da Vinci Pinterest board.
I am currently sitting at Aquapulse, the new aquatic centre in Hoppers Crossing, Victoria, typing this blog post. My 12 year old daughter Georgie and her friend Natalie are screaming down the giant waterslide as I type! I am sitting high up in the tiered seating area looking ridiculous, all rugged up for winter, with my laptop on my knee, while everyone else is strutting around in their bathersI This is all rather weird but such are the weekend pursuits of a hard working Primary Art Teacher!!! Multi tasking is my middle name!!!
I don’t know what Pablo Picasso himself would think of these face collages below but I just love them.
First of all I showed the grade 4 students a range of portraits created by Pablo Picasso which I had on my Pinterest board, on the projector. I also had several Picasso portrait prints hanging up in the art room. The students happily discussed how interesting they were and how his portrait style had changed over time. Why do you think Pablo Picasso displaced so many facial features in his portraits? How does this make you feel? What about his use of colour? A portrait is usually a likeness of another person. What does this say about the displacement of the facial features on these portraits? Well done Grade 4s for your fabulous discussions!
Anyway, after looking and discussing I explained to the students that they were going to be creating their own Picasso style collage. In the past I had done this activity with grade 4 and just got them to draw a Picasso-ish face and I had also done this activity using cut out facial features from magazines. Both times before the students had stated that drawing or putting the facial features into the wrong positions was extremely difficult to do.
This year I had discovered this paper on the Zart Art website and knew it would be perfect for this activity.
So the procedure was
- Collect A4 cartridge paper from the resource table.
- Draw a head and neck on the A4 paper nice and large. (What do we say – FILL THE SPACE!)
- Colour the face using oil pastels. Natural skin tones were optional and up to the individual artist.
- Select and cut out desired facial features carefully from Zart Art sheets (that had already been trimmed down into quarter of their A3 size – hey, I’m not silly! And don’t massacre twenty seven eyes just to get to the one you want in the middle of the sheet. Cut out carefully and place leftovers from sheet you are cutting back into the EYES plastic pocket so somebody else can use them! Yes, sometimes the instructions have to be this basic to protect the expensive materials!)
- How many facial features can you have? How many do you need? Why? “I want more than one mouth because my person talks a lot!” “I need to give my person 5 ears ’cause they always listen to gossip!”
- Glue your facial features into their displaced positions.
- Is your person bald? What are you going to do about hair?
- Cut out your person carefully and mount them on an A4 piece of coloured cover paper.
Most of the grade 4 students are now working on their next collage which is again based on Picasso’s portraits but A3 size, incorporating different types of cardboard to create (hopefully) layered facial features! I will write up a blog post on these when they are done.
Well, as already stated, I just love these and hope you do too.
I saw a post, ages ago, on one of my favourite art teacher blogs, ARTE A SCUOLA.COM, full of patterned landscapes which I thought were gorgeous. As I have done with a lot of this blog’s brilliant ideas, I tucked the idea away on MY PINTEREST BOARDS, saving it up for just the right time, which happened to be at the start of our school year 2015.
I sort of went a bit Zentangle mad at the start of this year and ended up with the grade 3s doing Zentangle hands,
the grade 4s doing Zentangle feet
and these coloured Zentangle landscapes being done by the grade 5 students.
All three grade levels started off looking at and discussing examples of patterns and zentangles from MY PATTERNS AND ZENTANGLES PINTEREST BOARD on the projection screen. It was then time to get into a detailed pattern drawing frame of mind so I printed off about 15 pattern sample idea sheets, also on my patterns and zentangles pinterest board, for each table and then each student was given a grid sheet of 20 squares to glue into their art journal. The students had to use scrap paper and a pencil to come up with a pattern that they liked and then use a black fine liner to fill one of the grid squares on their sheet, thus creating their own pattern resource in their art journal. The aim was to finish off 5 grid squares at the end of the first session.
The grade 5 students, at their next session, discussed landscapes and looked at a couple of the samples from ARTE A SCUOLA.COM The students suggested writing up a list of elements for the landscape on the whiteboard which they could follow while they were drawing their landscape outlines in pencil. I reinforced with the students that the list was to be seen as a guideline rather than a recipe and they could add or take away elements as they saw fit. The landscape was drawn on A3 cartridge paper.
All students brought their pencil landscape shapes to me for a brief one on one discussion directed at their specific ability level – DIFFERENTIATION! Is the work balanced? What can you do to your tree so it doesn’t look so top heavy? Which elements have you put in your middleground?
Interestingly every grade 5 ‘discovered’ that if their landscape included a body of water it “just didn’t look right” or it “made me feel weird” unless the edge of the land behind the water was straight/horizontal – hooray, no more slanted lakes or rivers!!!
So all students then went over their pencil landscape outlines with thick black texta and commenced the pattern work using thick coloured pencils or coloured textas. There was only one rule for the pattern work, once you have used a pattern you cannot use it again!
These were wonderful sessions for stopping half way for a “studio walk” around the art room where the children move from table to table quietly and look at each others unfinished work. The “oohs” and “aahs” and discussions about the work were fantastic! And, no, it is not just copying, if you see a pattern that you like on someone else’s work, and get an idea for your own work from that. Hadn’t we already been doing just that with the idea sheets on the tables??? And could you possibly reproduce such an intricate pattern EXACTLY the same????
I was astounded with the amount of effort some of the students put into these pieces! In hindsight A3 was probably too big to cover with such intricate patterns. These artworks took much longer to finish that I anticipated and the level of concentration required to get a fair bit done in one session was just too much for some students. However, I’m sure the students would say it was worth it when you can see the quality of work which was produced. Whatever their ability level, every student felt a great sense of achievement when the work was finally finished!
Thanks for looking and I’m sure my grade 5 students would appreciate it if you left them a comment.
UPDATE: I have added a few more photos to this post!!!
I saw this idea on USE YOUR COLOURED PENCILS ages ago and thought it would work well with my grade 3 students.
USE YOUR COLOURED PENCILS is a fantastic primary art teacher blog from Western Australia full of brilliant ideas.
We started off by looking at several David Hockney swimming pool paintings, from the 1960s, on the projector screen. I use MY PINTEREST BOARDS to store and then display images on the projector so I don’t have to clog up my laptop with squillions of art images.
The discussion was loud and vigorous with the students pointing out that it was interesting to choose that splash moment to paint rather than the person on the end of the board or in the middle of the dive, etc.
And in each grade the comment was made that the swimmer in this painting looked like he was wearing a nappy!?! Oh the highs and lows of discussions with Grade 3!!! This painting was excellent for talking about the differences between a swimming/floating body and a standing/walking body. I don’t think that was why he painted it but – Thank you, David Hockney!
So as I have been gradually introducing the students to using an art journal this year they had to start by doing a quick drawing, 5 – 10 minutes only, in pencil, in their journal, of themselves as a floating/swimming body. This was then brought to me for a quick personal discussion during which I write or draw a few prompts/praises on their draft. These are directly related to their drawings, at their ability level, and I ask that they try to incorporate the ideas generated from our short, personal discussion into their ‘good copy’. Yes, folks, DIFFERENTIATION is alive and well in this Visual Arts classroom!!!
The first time I did this in their book was hilarious. They were all horrified that I was writing on top of their drawing but they now all have a much more secure idea of what a rough draft is and don’t feel so precious about every rough drawing any more.
Once the students had started their drawing /painting on A3 cartridge paper I quickly called a halt as most were using grey lead pencil and drawing a teeny tiny swimming version of themselves. What happened to filling the space with their body? So the grey lead pencils were put away as soon as their draft was finished and the students moved bravely, straight onto using the oil pastels, to create their swimmer. Ahhh, much better!
Once their swimmer drawing was finished they tackled the challenge of pool water reflection lines using white oil pastel.
The students then painted on the water using dry block poster paint with the paint magically resisting the oil in the pastels!!! Yes, I know, sometimes the old techniques are the best ones for the job!
- Rich, engaging activity
- fantastic discussion
- lots of students came into the art room talking about the David Hockney images they had looked up on Pinterest or Google images after discussing this with their family about what they were doing
- comparing rough drafts with final pieces of work to demonstrate the changes and improvements in their final piece
- all students were very proud of their work, regardless of their ability level
- they make a fantastic display!
- I don’t think there were any!!!
You can see more David Hockney style swimmers inspired, like me, by USE YOUR COLOURED PENCILS here in these links
KIDS ARTISTS from the Netherlands
MRS KNIGHTS SMARTEST ARTISTS from Dolvin Elementary School in Georgia, U.S.A
And more from my Grade 3 students below.
And I’m sure my Grade 3 children would love it if you left them a comment.